An historical and theoretical overview of films
made by and about Mormons.
 

MORMONS & FILM:
The First Century

TMA 315R
Winter, 2008

Dr. Gideon Burton
Brigham Young University
4155 JFSB
801-422-3525
Gideon_Burton@byu.edu

   

Texts:

Required Work:

  • In-class screenings (Use film response forms)
  • Outside-class screenings (two hours/week; respond on your blog)
  • Response Blog (Responses to films, readings, and the LDS Film Festival)
  • Film Annotations (Plot summaries and keywords to post in the Mormon Literature & Creative Arts database)
  • Entries for the Mormon Film Studies wiki
  • Film Review (2-3 pages, submitted to one of various venues)
  • Research Paper (8-10 pages)
  • Attendance at LDS Film Festival (January 16-19)
Week 1 (January 10, 2008): Introduction; The First Wave (1905-1929)

Note on films: Films listed include both those that will be screened each week in class (up to 4 of the 5 hours of each class period will be spent watching films) and those from which you may choose that week to watch as part of the requirement to watch 15 films outside of class during the semester.

Note on readings: Unless otherwise indicated, readings are from the BYU Studies special issue on Mormons and Film (46.2 [2007]).

  Films Readings
 

Segments representing periods and types:

Complete films:

  • Gideon Burton, "Establishing Shot: The Scope of Mormon Cinema" (pp. 4-11)
  • Randy Astle, "A History of Mormon Cinema" (pp. 12-21)

Week 2 (January 17, 2008): The First Wave (1905-1929): Early Exploitation Films & Response
  Films Readings
 
  • Randy Astle, "A History of Mormon Cinema: The First Wave" (pp. 22-43)
  • James D'Arc, "The Mormon as Vampire..." (pp.164-87)

Week 3 (January 24, 2008): The Second Wave (1929-1953): Positive Hollywood & Independent Films
  Films Readings
 
  • Randy Astle, "A History of Mormon Cinema: The Second Wave" (pp. 44-75)

Week 4 (January 31,2008): The Third Wave (1953-1974); Judge Whitaker & the Classical Era
  Films Readings
 
  • Randy Astle, "A History of Mormon Cinema: The Third Wave" (pp. 76-95)
Week 5 (Feburary 7, 2008): The Fourth Wave (1974-2000): The Mass Media Era
  Films Readings
 
  • Randy Astle, "A History of Mormon Cinema: The Fourth Wave" (pp. 96-125)
Week 6 (February 14, 2008): The Fourth Wave (1974-2000): The Mass Media Era (cont.)
  Films Readings
   
Week 7 (February 21, 2008): The Fourth Wave (1974-2000): The Mass Media Era (cont.)
  Films Readings
   
Week 8 (February 28, 2008): The Fourth wave (1974-2000): The Video Revolution
  Films Readings
   
Week 9 (March 6, 2008): The Pioneer Sesquicentennial and the Climax of the Fourth Wave
  Films Readings
 

 

  • Thomas J. Lefler and Gideon O. Burton, "Toward a Mormon Cinematic Aesthetic: Film Styles in Legacy" (pp. 274-304)
Week 10 (March 13, 2008): Independent Documentary into the Fifth Wave
 
  • Dean Duncan, "A Manifesto for 'Fit for the Kingdom': A Proposal for a Mormon Documentary Series" (267-73)
  • Randy Astle, Review of Angie (pp. 324-30)
  Films Readings
Week 11 (March 20, 2008): The Fifth Wave (2000-): Cultural and Commercial Viability
  Films Readings
 
  • Randy Astle, "A History of Mormon Cinema: The Fifth Wave" (pp. 126-54)
  • Eric Samuelsen, "Finding an Audience, Paying the Bills: Competing Business Models in Mormon cinema" (pp. 209-229)
Week 12 (March 27, 2008): The Fifth Wave (2000-): Short and Straight-to-Video films
  Films Readings
 
  • Douglas Thayer, "Greg" (packet)
Week 13 (April 3, 2008): The Non-LDS Perspective Since the 1960s
  Films Readings
 
  • Review of Helen Whitney's The Mormons (pp. 305-320)
Week 14 (April 10, 2008): Student, Amateur, and Online film